Saturday, July 15, 2006

Shri Allama Prabhu

, who is otherwise known as Allama, Allaya, Allama Prabhu or Prabhudevaru, was probably born in the very beginning of the 12th century. The exact date of his birth is neither known nor has it been ascertained by any of his biographers. His biographers can be divided into two groups: one holding all too human and the other all too divine view of him. Both views are wrong, for both lack the historical perspective and predominantly represent a mythological view. Yet out of this legendary outlook we can glean a few historical facts. Prabhu was undoubtedly born of the human parents at Ballegavi, a village near Banavasi. His father's name was Nirahankara and his mother's, Sujnani. Karavura seems to be his family name. Ballegavi was set in the midst of palm trees, water-pools and rice fields. The temple of Goggeshwara or Guheshwara adorned this inspiring setting. His parents were a devout couple and Goggeshwara was their family deity. Sujnani had often visitations from God, Goggeshwara, in her dreams. Nirahankara was the head of a dance school and was well versed in three branches of music. But a secret longing was gnawing at their hearts. It was the longing for a child. In her daily prayers, Sujnani appealed to God to bless her with a child. One day she dreamt that she had been possessed by God. In the temple opposite her house the image of Shiva quickened to life under her own eyes. A ray of light penetrated to the depth of her being. In the course time, she conceived and gave birth to a child. The child, whom the world was to know as the Vairagya Chakravarti (the supreme renunciate) was named Prabhu. He was a little boy full of fun and life. Nobody imagined what giddy heights, what tremendous depths lay hidden in the little body of this charming child. His artistic temperament and prowess were revealed when he was only six years old. He had inherited from his father's artistic temperament. A passionate instinct for the beautiful was the first channel which brought him in contact with God. But there was a rich undercurrent of asceticism which occasionally peeped through his demeanour. The mutually conflicting instincts for the artistic and the ascetic and for the beautiful and sublime struggled within him for supremacy. In the end, the ascetic instinct got the upper hand and turned him into a renowned 'renunciate'.

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